Thursday 22nd December 2022
EX CATHEDRA
St. Paul’s Church,
Birmingham ****
Fully freed from the unwelcome restrictions of Covid
protocols, the 2022 edition of Ex Cathedra’s annual ‘Christmas Music by
Candlelight’ concert series saw a welcome return to the fully immersive aural
experience that is its hallmark, opening with a moving rendition of ‘This is
the truth’ by Ralph Vaughan Williams sung from the two side aisles, with baritone
solo and conductor in the chancel and nave respectively.
Vaughan Williams’ 150th birthday was just one of multiple
current and upcoming anniversaries recognised in this year’s programme – a
meditative ‘Ave Maria’ by Anton Bruckner (200th birthday in 2023)
had suitably pleading cries of “Sancta Maria”, whilst the ‘Lullaby, my sweet
little baby’ of William Byrd (2023 will
be the 400th anniversary of this great English composer’s death) was
given a tender reading by the choristers.
However, Ex Cathedra is also a champion of contemporary music,
hence the inclusion of new works by composers who have a close connection with
the choir. These included young Christopher Churcher’s ‘Before the ice is in
the pools,’ based on Emily Dickinson’s poem, the spirit of Christmas captured
in quiet reverie by the singers through its rich harmonies. In contrast, Liz
Dilnot Johnson’s ‘A wild midwinter carol’ had a pleasingly rustic folksong vibe,
with its hand chimes and bells evoking a frosty bucolic landscape. Also
included was Alec Roth’s mesmerising introit ‘Unborn’ for tenor solo and choir,
moving like a slow camel train to the beat of its processional drum.
Other concert highlights included Eriks Esenvalds’ ‘Long
road’ with its soaring top line over thickly scored chords, the divided choirs
moving to face each other, and James MacMillan’s ‘And lo, the angel of the
Lord’ with its appropriately Angelic contributions from the two galleries – the
very embodiment of ‘surround sound’, and undoubtedly Heavenly in every sense.
A special mention must also be made of Martin Bates, Ex
Cathedra’s accompanist for more than 20 years, who sadly died earlier this
year. His ‘Three Songs for Christmas’ are imaginatively written, with no
shortage of technical challenges for the choir: the opening song ‘He comes in
the night’ showcased some fine diction, whilst the closing number ‘With a merry
ding dong!’, with its little musical missteps shepherded so ably by conductor
Jeffrey Skidmore, was simply joyous.
Anthony Bradbury